The image of Askeladden in Norwegian fairy tales and its reception in modern culture
https://doi.org/10.28995/2658-5294-2026-9-1-201-215
Abstract
Askeladden is one of the most popular protagonists of Norwegian fairy tales. Currently, his image is found both in folklore and in literary works. The purpose of the research is to identify significant character traits and plot features of fairy tales in which he is depicted. Askeladden is an unpromising hero. He is covered in ashes, poorly dressed and often spends time by the hearth. Furthermore, the connection with ash, coal and stove is embedded in his nickname. Askeladden is despised by other characters, seems lazy, narrow-minded, dreamy. He is usually the youngest child in a poor family, who becomes involved in conflicts with his brothers. He is characterized by mercy and compassion, but he can similarly act as a deceiver and a cunning man. Unexpectedly, this contemptible character performs feats or receives the support of miraculous powers. One of the most common achievements is killing a troll. The duality of the image is also noted. Askeladden usually turns out to be a typical hero of a fairy tale, undergoes a transformation and becomes a king. However, there are plots in which the main theme is an intellectual duel, clever deception. In such cases, the hero resembles characters of household folktales and sometimes has features of a trickster. In addition, the article examines the reception of the image of Askeladden in modern popular culture. The widespread use of the unpromising hero type, the archetypal plot, the provocative image and the trickster features make Askeladden’s figure productive for creative reinterpretation.
About the Author
T. A. SivalkinaRussian Federation
Tatyana A. Sivalkina,
7–9, Universitetskaya Emb., Saint Petersburg, 199034.
References
1. Anderson, B. (2006), Imagined communities: Reflections on the origin and spread of nationalism, Verso, London, UK, New York, USA.
2. Bergdal, E. (1929), “Hamlets name”, Scandinavian Studies and Notes, vol. 10, no. 6, pp. 159–175.
3. Boym, S. (2001), The future of nostalgia, Basic Books, New York, USA.
4. Brunvand, J. (1959), “Norway’s Askeladden, the unpromising hero, and juniorright”, The Journal of American Folklore, vol. 72, no. 283, pp. 14–23.
5. Cawelti, J.G. (1976), Adventure, mystery and romance: Formula stories as art and popular culture, University of Chicago Press, Chicago, USA.
6. Heide, E. (2011), “Loki, the ‘Vätte’, and the Ash Lad: a study combining old Scandinavian and late material”, Viking and Medieval Scandinavia, vol. 7, pp. 63–106.
7. Meletinskii, E.M. (2005), Geroi volshebnoi skazki: proiskhozhdenie obraza [The hero of a fairy tale. The origin of the image], Tsentr gumanitarnykh initsiativ, Moscow, Saint Petersburg, Russia.
8. Novik, E.S. (1993), “The structure of the fairy-tale trick”, in Neklyudov, S.Yu. and Novik, E.S., comps., Ot mifa k literature: Sbornik v chest’ 75-letiya E.M. Meletinskogo [From myth to literature. In honour of the 75th anniversary of E.M. Meletinskii], RGGU, Moscow, Russia, pp. 139–152.
9. O’Leary, M.H. (2010), Culture and customs of Norway, Bloomsbury Academic, Santa Barbara, USA. (Culture and Customs of Europe)
10. Safron, E.A. (2017), “A ‘contemptible’ character of Northern Europe fairy tales”, Uchenye zapiski Petrozavodskogo gosudarstvennogo universiteta, vol. 162, no. 1, pp. 98–101.
11. Yudin, Yu.I. (1985), “Fantastic images of a Russian household tale”, Sovetskaya etnografiya, no. 1, pp. 14–25.
12. Yudin, Yu.I. (2006), Durak, shut, vor i chert: (istoricheskie korni bytovoi skazki) [Fool, buffoon, robber and devil: (Historical roots of household folktale)], Labirint, Moscow, Russia.
Review
For citations:
Sivalkina T.A. The image of Askeladden in Norwegian fairy tales and its reception in modern culture. Folklore: Structure, Typology, Semiotics. 2026;9(1):201-215. (In Russ.) https://doi.org/10.28995/2658-5294-2026-9-1-201-215
JATS XML

















