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Collection of songbooks at the Centre for Typological and Semiotic Folklore Studies RSUH: Typological and genre characteristics

https://doi.org/10.28995/2658-5294-2024-7-1-68-82

Abstract

The tradition of keeping songbooks emerged in the late 18th century and was particularly popular in Russia in the 19th and 20th centuries. Notebooks with songs, texts of classical literature, wishes, and messages were maintained by schoolgirls, military personnel, soldiers, prisoners, and various other age and professional social groups.

The Centre for Typological and Semiotic Folklore Studies of the Russian State University for the Humanities contains several documents composed in the 1930s – 2000s: girls’ albums and songbooks, soldiers’ notebooks, a samizdat (self-publishing) songbook from the parish camp of the Church of St. Cosmas and Damian. The manuscripts reflect the main features inherent in this kind of parafolklore writing. The main place in them is occupied by songs (ballads, romances, pop songs, songs from films, parodies of hits), sententiae, (wishes, counsels, conclusions and other), album stamps, artistic elements (decals, drawings, magazine clippings); in the girls’ notebooks there are also elements with an emphasis on performativity and communication (texts for fortune telling: “chihalki”, “ikalki”).

The article will examine a collection of songbooks: genre composition and characteristics of the repertoire of manuscripts, features of their compilation and design, pragmatics, typological designation of documents.

About the Author

U. A. Petukhova
Russian State University for the Humanities
Russian Federation

Uliana A. Petukhova,

6, Miusskaya Sq., Moscow, 125047.



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Review

For citations:


Petukhova U.A. Collection of songbooks at the Centre for Typological and Semiotic Folklore Studies RSUH: Typological and genre characteristics. Folklore: Structure, Typology, Semiotics. 2024;7(1):68-82. (In Russ.) https://doi.org/10.28995/2658-5294-2024-7-1-68-82

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