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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">folklore</journal-id><journal-title-group><journal-title xml:lang="ru">Фольклор: структура, типология, семиотика</journal-title><trans-title-group xml:lang="en"><trans-title>Folklore: Structure, Typology, Semiotics</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2658-5294</issn><publisher><publisher-name>РГГУ</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.28995/2658-5294-2023-6-3-10-29</article-id><article-id custom-type="elpub" pub-id-type="custom">folklore-286</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ПАМЯТЬ "ДРЕВНЯЯ": ЭПИЧЕСКИЕ СКАЗАНИЯ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>"ANCIENT" MEMORY: EPIC TALES</subject></subj-group></article-categories><title-group><article-title>О трех типах меморации прошлого в ирландских саговых нарративах: наблюдения и замечания</article-title><trans-title-group xml:lang="en"><trans-title>On the three types of commemoration in the Irish saga narrative: some observations and comments</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Михайлова</surname><given-names>Т. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Mikhailova</surname><given-names>T. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Татьяна А. Михайлова, доктор филологических наук</p><p>125009, Россия, Москва, Б. Кисловский пер., д. 1</p><p>125047, Россия, Москва, Миусская пл., д. 6</p></bio><bio xml:lang="en"><p>Tatyana A. Mikhailova, Dr. of Sci. (Philology)</p><p>1, Bolshoi Kislovsky Lane, Moscow, 125009</p><p>6, Miusskaya Sq., Moscow, 125047</p></bio><email xlink:type="simple">tamih.msu@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Институт языкознания РАН; Российский государственный гуманитарный университет</institution></aff><aff xml:lang="en"><institution>Institute of Linguistics RAS; Russian State University for the Humanities</institution></aff></aff-alternatives><pub-date pub-type="collection"><year>2023</year></pub-date><pub-date pub-type="epub"><day>13</day><month>11</month><year>2023</year></pub-date><volume>6</volume><issue>3</issue><fpage>10</fpage><lpage>29</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Михайлова Т.А., 2023</copyright-statement><copyright-year>2023</copyright-year><copyright-holder xml:lang="ru">Михайлова Т.А.</copyright-holder><copyright-holder xml:lang="en">Mikhailova T.A.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://folklore.elpub.ru/jour/article/view/286">https://folklore.elpub.ru/jour/article/view/286</self-uri><abstract><p>В работе в качестве отправной идеи постулируется, что для архаической культуры главная функция текста – меморизация воина или правителя, которая при этом может быть осуществлена лишь поэтом-профессионалом. В статье приводятся три главных примера, отражающих три разных типа создания меморизующего текста: устная поэма, запись на столбе огамическим письмом, запись латинским письмом на табличках. Во всех случаях носителем умения фиксировать историческую память изображается поэт-филид. Прослеживаемая псевдо-хронология сагового материала приводит к выводу, что в коллективной памяти фиксатора традиции устная форма соотносилась с ранним периодом истории (примерно I в. н. э.), огамическое письмо – со II в. н. э., а таблички – с IV–V вв. Данная легендарная хронология непосредственно соотносится с основными этапами развития письменности в Ирландии. В то же время появление новых типов письма как новых способов меморации не означает отказа от более ранних способов фиксации информации, примеры чему также можно найти в текстах. При этом реальный способ фиксации традиции – запись на пергаменте – в текстах нарративного типа не отмечается, что нуждается в последующем анализе.</p></abstract><trans-abstract xml:lang="en"><p>As a starting point, the present research work assumes that the main function of a text in archaic cultures is commemoration of a warrior or a ruler, which task can only be performed by a professional poet. The paper cites three key cases representing three ways of creating a commemorative text: an oral poem, an inscription in Ogham on a wooden stave and a Latin written record on tablets. In all three cases, the one who possesses the skill of capturing historical memories is a fili poet. The author traces the quasi-chronology of the saga sources and concludes that the collective memory of those who recorded the tradition linked the oral form with the earliest historical period (around 1st c. AD), Ogham script – with 2nd c. AD, and tablets with 4th to 5th cc. AD. This legendary chronology clearly corresponds with main stages of actual evolution of literacy in Ireland. However, the arrival of new writing techniques as new types of commemoration did not mean that the earlier methods of preserving information were abandoned, which is also confirmed by examples found in the texts. At the same time, the narrative texts fail to mention the historical method of recording the tradition (by writing on parchment), and this fact needs further investigation.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>ирландские саги</kwd><kwd>воссоздание прошлого</kwd><kwd>среднеирландская ученая традиция</kwd><kwd>устное и письменное</kwd><kwd>развитие письма в Ирландии</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Irish saga narratives</kwd><kwd>recreation of a past</kwd><kwd>Middle Irish learned tradition</kwd><kwd>oral tradition and writing</kwd><kwd>development of literacy in Ireland</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Atchison 1987 – Atchison N.B. The Ulster cycle. Heroic image and historical reality // Journal of Medieval History. 1987. Vol. 13. P. 87–116.</mixed-citation><mixed-citation xml:lang="en">Atchison, N.B. (1987), “The Ulster cycle. 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